A critique of the critical response to Vertigo
This is a really interesting, if challenging, essay on the way in which critics have become 'obsessed' with Vertigo. The author suggests that critics of the film assume the role of Scottie and just like Scottie searching for his ideal woman, the critic is also searching for the meaning behind the Madeline / Judy split (who the 'real' woman is) and ultimately the meaning in Vertigo. The article has interesting links to feminist critiques of Vertigo and Psychoanalytical readings that focus on Lacan (so read this after those lessons! - see posts for lessons 5)
Plot & Narrative structure
http://www.filmsufi.com/2009/12/vertigo-alfred-hitchcock-1958.html
http://narrativejourney.wordpress.com/2012/05/18/vertigo-hitchcock-1958/
Characters
Scottie
female characters
costume and identity
feminist critique of midge
camera movement in
vertigo
http://labyrinth.net.au/~muffin/camera_movement.html
richard allen essay
http://jackferdman.com/essays_vertigo.html includes reference to most micro elements
http://www.school-portal.co.uk/GroupDownloadFile.asp?GroupID=171163&ResourceId=3009121 discusses Hitchcock's use of the 3 ‘set pieces’ of camera movement
General overviews of the key issues in the film
http://narrativejourney.wordpress.com/2012/05/18/vertigo-hitchcock-1958/
http://filmstudiesforfree.blogspot.co.uk/2010/11/study-of-single-film-alfred-hitchcocks.html
links to lots of reading and interesting Cinephile video of critics discussing Vertigo
Audience and Critical Reception