1.
What ‘holes’ are
identified in the plot of Vertigo?
2.
Why
don’t the ‘holes’ in the plot matter?
3.
What was
Hitchcock the ‘master’ of, according to the film? (answer is not ‘suspense’ btw!)
4. Explain in detail the distinction
made between ‘plot’ and ‘story’. What is
the more important when analysing a Hitchcock film?
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